Hi again! I’m taking another Dawn Sokol workshop! It’s called Badass Femmes and she’s doing profiles and prompts based on some seriously badass women in history. So far, she’s done people like Joan Jett and RBG. I love this class.
One of the people she talked about is Kathleen Hanna, who started the band Bikini Kill because she didn’t like the violence in mosh pits and called to the guys to let “girls to the front”. That’s what inspired this page spread.
Every year, my daughter’s school hosts a big gala and it’s the biggest, and most crucial, fundraiser of the year. At the gala, there are auction items and all of the families donate items. This year, I made this junk journal with the theme of the Blessed Mother. It’s going into a package with other devotional items. I’m packaging the book with a couple of nice pens, and a note about the book and how one might use it. I’m pretty excited and really hope that the winner loves it.
I had intended to make something or work on my journal during this unseemly hour of the morning, but instead, I am sharing some work I’ve been doing for the past week or two. Dawn Sokol runs a class each holiday season that focuses on journaling to help process the holiday season and winter. It’s a great class that I’ve taken a couple of times in the past. Here is some of my work, along with some works in progress, that I have so far.
It’s a homemade book, set up in the style of a travelers notebook, using elastic bands to keep in each signature. The pages are made of old cereal boxes, magazine pages, old Christmas cards, cardstock, regular ole white heavyweight paper, and more. Some of these pages are still works in progress, mostly needing some doodling and journaling. #JingleJournal2021
It was an exercise in my friend’s art group. We were going to finish a whole journal in one sitting. Five layers, fifteen minutes each. If I could remember the name of the gal who came up with this idea, I’d share it here, so please comment if you know her name.
Below are the eleven pages/spreads that I did, each grouped by page, showing all five layers, which are mostly in order. Here is the order of layers:
Put down color.
Stencil and/or stamp.
Focal image and words.
Pen and pencil doodling.
Dude, this was HARD! Each layer had its own challenges, and it helped to have all of my materials out and ready, rather than digging for things. I also tried to keep to just a few colors, though you’ll see I got carried away with that.
The color layer was relatively easy. I used some Blick matte acrylics and Distress Stains. The stains made it super easy to put down the color, so I might need more of those if I’m going to keep trying this technique. I also sprayed a layer of shimmery gold during the first step because I’m incapable of not having some sort of glitter going on.
Page one was was definitely one of my favorites by the end of the exercise.
The second layer, collage, got a bit more challenging. I mean, I could have taken the easy road and just put one piece of paper or tissue on each page and called it done, but no!
Like everything I do, I did it the hard way.
I think my saving grace was that I decided to treat each page spread as one page, rather than two pages. It seemed to work well for me.
Layer three: Stenciling and stamping. I definitely should have had more stamps and stencils handy. That way I wouldn’t have had to reuse. I would have liked those cool faces on only one page, looking back on it. I love the stencils that look like orange slices. And that hand-carved horizon sun stamp I got at an estate sale. Page five turned out pretty well, I think. (I love Converse high tops.)
Layer four was focal images and words. I tried to limit what I was doing here so that the pages didn’t get too busy (ha!). A focal image is a focus for a reason, yannow?
I really tried not to think much, and it was interesting that the word “believe” ended up on the same page spread (page seven) as the church steeple. Someone might be trying to tell me something.
That bright pink/orange color on page seven is a magical color that Kelly Kilmer uses. It’s called Luminous Opera and it’s from Holbein. A little goes a long way and I like how it layered over that yellow underneath. I do think that the background color on page seven can use a little bit of pushback, which I’m working on a bit now.
The final layer was using pens, pencils, markers, to make marks and doodle. There was SO not enough time for this!
On page eight, I decided to let my little girl out and used a fat graphite pencil to scribble on the page. It is so freeing to do that…try it! I guess I have a thing about feet…here with the feet in the water and also the sneakers up above. My poor feet have been traumatized over the years with various ailments, such a peripheral neuropathy, so I must be working through that via my art journaling.
On page nine, those little dangles over that dark photo of the man hunched over do NOT go well there. Something I’ll be working on.
Page ten, in my opinion, is a nightmare and I don’t know what I was thinking by coloring in the eyes of those stenciled faces. Barf. This one is going to need some work.
Page eleven turned out to be one of my favorites, especially the colors. It may stay the way it is, or it may get more pen work.
Overall, this was a great exercise that got me out of my head for an afternoon. I had been looking forward to doing this with my art friends for a couple of weeks before we actually had the session, but when we sat down to do it, I was so nervous! In the end, I was freakin’ exhausted. One of the girls and I stayed later and started doing more on our pages when we were finished.
I’m still doing some pen work on all of these pages. When I feel better about them, I’ll share them here. Oh! I’ve also created a video flip-through of this book for you to see on YouTube if you feel so inclined. There’s commentary there, of course.
Hope you enjoyed checking this out. I’d love to hear your thoughts!
This spread, so far, is a big mishmosh. The cafe image reminds me of a cafe in Paris that was right down the alley from my hotel. The rest are papers related to France and the trip. No idea why I drew the flowers, though. A little paint and doodling will bring it more cohesiveness, though.
This page is begging for me to do some pen work. It also terrifies me because I love it so much and I don’t want to ruin it. Yes, I know. I won’t ruin it. This spread is also in my France book. We had a lovely visit in a chapel at a castle. It was very touristy, but despite that, I loved the chapel so much.
So, I’ve decided that this isn’t finished and that I can do some more pen work on it. It’s in my France journal and it reflects on a day our group spent walking around a little town that’s referred to as “Village of Books” or something similar. It was lovely. When I think about going back to France, I think about days like this and how much I want to have that feeling again.
Yep. That woman on horseback with the dilapidated castle were the instigators for this journal spread. Then I just started doodling. I’ll probably come back to it and add more layers to the doodles, but for now, I am pleased. This is in my France journal, which I began in a Kelly Kilmer workshop week in France in June 2019.
My friend Karen has a great art group and every other week we meet on Zoom and do a project or a technique. SO many great things are coming out of this for me. I am finally making things again, which is huge, and I’m learning so much. Yesterday, we made background papers in anticipation of next week’s session, when we will make tiny books. These sheets will be cut down to make the book pages. Ta da!
Scrapbook paper, book pages, Tim Holtz tissue, paper napkins, rubber stamps from Paper Bag Designs, hand-carved stamp, gesso, matte medium, glue stick, Gold High-Flow paint in Sepia, Golden Glazing medium (gloss)